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Which is a smart decision; last season, the action seemed to whiplash all over the place, taking Sookie and Co. to Mississippi and all over. But by using the area around Bon Temps as a nexus for the season’s multitude of plotlines, it infuses every shot of the town with possibility. (You never know just what’s lurking on the other side of street.) There’s definitely a lot going on here, as the revolving door of characters keeps on turning apace, but there’s also a lot to sink your teeth into, particularly from our returnees, each grappling with problems of a personal or supernatural nature. Or both, as the case may be. That issue of identity, of self-connection and awareness, looms large over the season, and that’s a good thing as it draws together these disparate characters into something that’s easy to identify with as audience members. Where we come from, our pasts, our family, our experiences: these are the things that define us. Sweep them away, and it’s unclear just what you’re left with or how you see yourself, regardless of whether or not you have fangs. Ultimately, Season Four of True Blood does quite a lot right. The second and third episodes are bloody brilliant (especially, as aforementioned, that second one) and there’s a terrific sense of momentum and tension here, as a number of tantalizing new mysteries present themselves to the audience. As always, there is the potential here for this new season to be unpredictable, darkly sexy, and blood-soaked fun. So long as we stay well outside of faerie land, that is. Overall, I was disappointed in the season finale of True Blood. I don’t feel we got any real resolution to the events of this season. Unlike season one, where we saw Rene decapitated, or season two, when we saw Mary Anne killed, “Evil is Going On” just continued the trend of creating more questions than it answered. Sookie has a mean streak in her. Did the look on Sookie’s face when she ran Talbot’s remains down the dispose-all scare anyone else? Also, she has developed a strong potty mouth. From her comment to Russell to watch his language to the ranting she did to Eric on her front porch, she let fly a lot of obscenities. I was glad to see she gained some control over her faerie powers when she blasted the handcuffs (and Russell). I wish we had gotten a little more of that and a little less of her vulgar language. Sookie is done with vampires. Sookie’s potty mouth aside, it looked like she is done with vampires. First she found out she is “crack” to vampires and second, she found out that Bill let her get beat within an inch of her life so he could bond her to him with his blood. That would make me swear off vampires too. However, to Bills credit he is trying to protect her. Even if he failed so far (Pam and Eric survived) and now, he was facing off with the Queen. At least he is making an effort right? Is that what woman say they want, “for men to make an effort?” Jason is in charge in Hotshot. It is a sad day when the most responsible person in the entire community is Jason Stackhouse. I really don’t understand how Crystal expects Jason to take care of her kin in Hotshot when he already said he was going to come find her and rescue her from Felton? Besides that, isn’t he currently he is under arrest for obstruction of justice? Lafayette really does have power. The revelation that Jesus is a witch was unexpected. But, it fits nicely with the rest of what was going on recently. From Lafayette and Jesus seeing their ancestors in the “blood dream,” to Lafayette now being able to see a shadow of the secrets people are keeping around them. I wonder if he has witch powers that have been woken up as well. They have promised witches next season, could Lafayette be one of them? What was lying on the floor in Hoyt/Jessica’s new house? I have made it no secret that Jessica is my favorite character. Seeing her and Hoyt together tonight just melted my heart like butter. Watching her run around the house was so adorable. But what the heck was that little doll on the floor at the end of that scene?

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